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Oneiria

by Autumn Burnett

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1.
Tell me there’s a splitting sound That shook the grassy ground And the postman stopped coming around When he heard the war coming down He wished me safe and sound Well I ran into the orchard grove To tell me love, “let’s flee, let’s go” And with a quaking heart, he spoke, “We won’t survive unless we gloat” He held me close Said, “Hey now, darling let’s dance, come give me your hand, we’ll waltz in the haze And while the buildings are crumbling, we’ll be out stumbling in time with remain” I never loved you more than when you rocked me in time with the war Even under the weight of souls in our state, our feet never sored And the doveling and the cardinal on the belfry Made nests from burning weed All strung up on wires and dotting the skies like little war planes Squawking from tenterhooks jerking their heads to look so scared to stay the same So I asked a chattering crow, “Why do you go so nervous and strung?” He cawed, “Everything moves! Even the shade, even the sun” Said, “Honey, look at you, static, I pity your still, it’s a shame you’re so young And love, don’t you know better to never stop moving or you’ll hurt someone?” So I picked up my bloody heels, said, “I’m sorry, bird, I will yield I’ll dance ‘till my feet are raw, until I’m older and know it all.” And the doveling and the cardinal, they stayed and wept in nests they made And the doveling and the cardinal believe That love is sewn with grief So honey, quit with your crying, I carry good tidings They’ve sounded the bells! We’ll run to those pastoral hills And we’ll drink and we’ll bathe In the wishing wells I never loved you more Than when you rocked me in time with the war Even under the weight of souls in our state, our feet never sored And the doveling and the cardinal On the belfry They loved like you and me
2.
The Reeds 04:13
Meet me in the hail Where the water makes Little patterns on your face And watch your thoughts parade Through the queen anne’s lace Dropping minutes in the bay Well I dove into the harbour in my clothes ‘Cause I swore I saw you sinking through the foam But all I found were waves Burning from the salty muddy brine I swore I heard you call me, rasped and dry Upon a cliffside Does it feel like apiaries brewing in your sides? And bees with timepieces fly by Spinning round your head and ticking trails of fishing line I won’t let hope sour me blind Did you see that night How my shadow turned into incandescent light? All the while, I thought, “How impossible, yours must have done forgotten to… ...leave this sallow, clodden ground behind and make like bees from geysers gone divine So tired of this stone-locked lot Unabashed breach, absconding Sometimes I still love you more than naught I think I made you up inside my head Leather boots and ribbon red I’ve been shaking rattles, herbs and smoke Over sticks our feet once broke Digging up the agency, the gall left in brambles there to rot If you care to uphold reverie, I’ll be pawing through the reeds
3.
Sable held me in the warm magnetic candlelight She drew my wrists on a napkin with a fountain pen She said, “Your hands are becoming like your mother’s Sapphire veins and lacework bones” So while I’m peeling the walls away with silver spoons Pretty Sable, it’s all for you Some nights Sable swings her feet from my windowsill A cotton gown beats in luster ‘round the heating vent And in a gorgeous array of pattern play, the seconds shatter Like sunlight through a chainlink fence But when morning comes, she’ll vaporize like water And leave a ring of salt around my bed Like daylily dew drops and cigarette ash And holy script in sidewalk cracks Peelings of god in a torn up paper bag Spin with me, Sable, fold me flat When she begs to sleep at the foot of my bed She’ll peel the paint off of the walls And burrow her hands into my sleepy head And tell me I’m a work of art Hold me under rolling water And braid my limbs like willow wicker Darling, I am only yours Sable brought me love in a cornucopia She said, “Pick out any name you like Everyone is waiting just inside! Who you gonna lose tonight?”
4.
The Belfry 02:34
5.
When you arrive there’ll be cockatiels and pear trees and wine by a silver bay where we grew to know just what holy means, where god is the stone that you toss into the bay And out from the water, there will rise a figure One you know well, it is me I’ll take you down to the spires, and we’ll drink up all the dreams we require and rinse them through our teeth My darling, I’m fine, can you see me ripping diamonds into carbon? Like everything was mine from the start, Just like you, i’m pulling roses from gardens That someone else grew Do you recall how the solipsisms pooled at my doorstep and stuck between my toes when you told me, “Honey, I think you’ve got more hope than this world does allow” Sturgeons sing me silver blues My darling, I’ve been well My darling, I’ve been well When you arrive there’ll be cockatiels and pear trees and wine by a silver bay where we grew to know just what holy means where god is the stone that you toss into the bay
6.
Davenport 04:54
The gull and the granite sieve The foam and the filigree Corseted in mud, I bound my legs to cliffsides, hollering at seabirds and headlights and things that bind me landside One by one bats trail dark over cliffs of Davenport Tangled in the weeds swayed some shipwrecked thing a mast of junk boat groaning to the rocks where we sat thinking ‘bout the way we’d like to fall “Will you scrape the mollusks from my portside fin?” The sailing ship sang some swollen, salty hymn I wore velvet with wire ‘round my waist to conduct the flow of light and to funnel you through grace But the pressure barely bent in remembering the things I’d like to miss Much ado ‘top a scaly precipice I wore velvet with wire ‘round my waist hauling fables and balloons with carouselic sway In Pacific Standard Time, spaciousness is all to those who ride with dandelions white and sprouting from their sides And were you only in passing? Or did you let yourself take shape? And maybe words were for sifting, And maybe mine caught up the drain And maybe all of this wading will make the whales too sick to sing And if you saw the way that poppies bloom in a wrecked ship, you would weep Did you pour your love through ashes, or were you singing through your teeth? Were you tall as Parnassus, or were you standing on my knee? I wore velvet with wire ‘round my waist for the godless break of bay and the guilt of rolling slate For the dust coiling gold around the irises of someone proud as me Davenport is a vision in smoke rings I took handfuls of road that day And I pocketed the image of standing in your way Albeit in good will, tell me is it ease or lust or pride to get your fill then surrender every time?

about

Oneiria (\O-nEr’-ē-ə\) is folk music gone cockeyed with unconventional instrumentation and fresh harmonic twists. Featuring a storybook string-band of nylon-string guitar, harp, contrabass and fiddle, Burnett draws influence from Joni Mitchell, Radiohead, and Joanna Newsom. With surrealist lyricism, Oneiria tells a narrative of loss, misdirection, and escapism to a place where reality and dreamscapes are inexorably entangled.

credits

released January 27, 2016

Songs, album art, and post-production by Autumn Burnett
"Silver Suite" guitar part by Maximo Diego Pujol, from Suites del Plata No. 2

Represented by Blue Selkie Publishing


Infinite gratitude to The Blue Selkies (James Vitz-Wong, Caitlin Mehrtens, Mohit Dubey), my friends at Oberlin College and Conservatory, Christa Giammattei, Michael Schweppe, and Brennan Dugan

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Autumn Burnett

Autumn Burnett is a songwriter, guitarist and violist from Lake Tahoe and Reno, Nevada. She studied songwriting at Oberlin College and Conservatory and currently lives in Asheville, North Carolina.

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